Lost TV Show Fansite Lost-Media.com

IGN - Jin Talks LOST

In a brief interview with IGN, Daniel Dae Kim discusses his character's future and his feelings about the definite end date to the show.

Interview

Damon & Carlton Interview

Damon & Carlton were on G4TV's Attack of the Show a couple days ago and answered some questions.

Interview

Nikki Stafford's review of "4.10: Something Nice Back Home"

Nikki Stafford has posted her analytical review of "Something Nice Back Home."

"This week’s episode boasted more of a story and less mystery than last week’s (thank goodness for that… my head is still hurting from that one), and two major storylines of the future are starting to evolve. In the one corner, we have the Hurley/Jack/Kate/Aaron story, with Sun on the periphery of that one, and in the other corner, Sayid and Ben. Both stories are important, but I think the Sayid/Ben stories are going to point to the essential physical mystery of the island, where the Jack/Kate future stories will hinge more on the rescue itself and what happened to the rest of them."

You can read the entire review and check out the discussion here.

What happened to the ladies of LOST?

http://www.afterellen.com

LOST creators grade viewer-submitted theories

http://www.usatoday.com/life/television/news/2008-04-23-lost_N.htm

EW - 'Lost': An Indiana Jones Connection?

http://www.ew.com/ew/article/0,,20196791,00.html

Why LOST is a great show

By Ken Tucker

is critic-at-large for EW

Because of its novel premise and referential knottiness, Lost is rarely reviewed as a normal TV show. You know, like the ones with plots that get resolved in an episode or three, and have a cast of regulars whom you can count on to reappear every week, give or take a few DUI convictions. But what if Lost didn't require — to judge from the eloquent, endless exegeses provided by my colleague Doc Jeff Jensen — a solid grasp on everything from the works of Kurt Vonnegut to a thorough knowledge of The Flash comics? Well, that's how I'm approaching this review, primarily to suggest and reassure that, even as Lost barrels along to its fourth-season finale, it's still possible to watch this thing without a map, a Bible concordance, and a headache.

Over the years, I and others have razzed Matthew Fox for his one-note interpretation of Jack: slack-jawed brainiac who gazes upon Evangeline Lilly's creamy Kate or a nasty knife wound with equal bemusement. But, especially early on, Fox and his costars had to deliver lines with minimal inflection and facial expression, because seven scripts down the line, any of them might have turned out to be a bitter obsessive (see Harold Perrineau's Michael) or a violent survivalist (Terry O'Quinn's Locke). If they'd been playing their characters jolly or ditzy, it wouldn't have added up, motivationally. (Jolly/ditzy works only for Jorge Garcia's Hurley.) That's one way the producers' announced, we-know-the-ending conclusion of Lost in 2010 has improved the show — it allows the writers not only to shape the story toward a conclusion but to give the characters moods and motivations that boost the show's energy.

Here's how much of a Lost non-cultist I am: I thought the fan-despised characters of Nikki and Paulo made sense. I spent parts of Lost's first season saying, "Why don't any of those other tattered survivors in the background ever interact with the stars?" Similarly now, I hope some new characters push aside, however briefly, ones I don't much care about (sorry, soap-opera-y Sun and Jin). I was cheered to hear that Jeff Fahey, who plays the grizzled pilot, Frank, will have a beefed-up role — I've enjoyed the ice-blue-eyed actor since his beguiling 1995 non-hit series The Marshal on ABC.

Lost is currently better than most fantasy/sci-fi because it's as interested in character as it is in its alternate-world construct or its ideas about the time-space continuum. The series moves with fluid intensity between the Island, its urban flashbacks and -forwards, and its freighted freighter scenes. Like other TV loaded with culture references (from The Twilight Zone to Gilmore Girls), it's not profound, but rather a game that expands your intelligence even if you don't ''get'' all the clues. It's the pleasure of puzzlement. A-

http://www.ew.com/ew/

Fox on Tonight Show

THE TONIGHT SHOW WITH JAY LENO, NBC
Th 5/8: Matthew Fox, Robert Schimmel, Trace Adkins

Lost Fans Find Internet Thrills Via Wikis, Games, Second Life

http://www.informationweek.com/

Viewers can watch 'Lost,' 'Grey's Anatomy' on CTV.

Viewers can watch 'Lost,' 'Grey's Anatomy' on CTV.CA TheStar.com - entertainment - Viewers can watch 'Lost,' 'Grey's Anatomy' on CTV.CA

April 25, 2008

THE CANADIAN PRESS

Fans of the TV series Lost and Grey's Anatomy can now catch up with their favourite characters online. Episodes of the two shows have been posted for viewing at CTV.ca, with episodes of the salacious series Desperate Housewives soon to follow. CTV says this is the first time the three shows will be available online on a free, ad-supported basis in Canada.Each new episode will be posted after its West Coast broadcast and be available for 28 days.The site will also feature the last two episodes of each series broadcast before their recent hiatus, episode recaps, previews and, in the case of Lost, exclusive online content.The shows join more than 100 hours of programs already online at CTV, including Nip/Tuck, The Colbert Report, The Daily Show with Jon Stewart, Corner Gas, and Degrassi: The Next Generation.CTV says Gossip Girl returns online with new episodes next month.